Lost Highway

We watched this David Lynch film last night on the Independent Film Channel. How bizarrely bizarre! Even Roger Ebert couldn’t pin it down as to purpose. But that was the idea: great schemes and scenes but no purpose. Still, the scenes were often fascinating and sprinkled with humor amidst the atmosphere of dark and ghostly film noir, including human morphing in a death row cell. It held our interest, or should I say fascination, until the end. And then! What did it all mean? Who knows? It was a David Lynch film.