We watched this David Lynch film last night on the Independent Film Channel. How bizarrely bizarre! Even Roger Ebert couldn’t pin it down as to purpose. But that was the idea: great schemes and scenes but no purpose. Still, the scenes were often fascinating and sprinkled with humor amidst the atmosphere of dark and ghostly film noir, including human morphing in a death row cell. It held our interest, or should I say fascination, until the end. And then! What did it all mean? Who knows? It was a David Lynch film.